#: locale=it
## Aktion
### URL
LinkBehaviour_D104362C_80C0_A908_41BD_E4240C84AA21.source = https://www.frames8.com/
LinkBehaviour_D03013FA_80C0_6F08_41B1_86A4E7FF1516.source = https://www.frames8.com/
## Media
### Titel
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## Skin
### Button
Button_1B999D00_16C4_0505_41AB_D0C2E7857448_mobile.label = Artworks
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Button_41770224_7FC0_A938_41C9_2FECBC1A25A6.label = Location
Button_1B999D00_16C4_0505_41AB_D0C2E7857448.label = Work List
### Dropdown
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DropDown_7A7365A2_4C72_0448_41C6_10A3F5D8D1CB_mobile.label = Floorplan
### Image
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### Label
Label_0DD14F09_1744_0507_41AA_D8475423214A.text = AbandonArtGallery
Label_0DD14F09_1744_0507_41AA_D8475423214A_mobile.text = AbandonArtGallery
Label_0DD1AF09_1744_0507_41B4_9F5A60B503B2.text = frameS8 exhibition
Label_0DD1AF09_1744_0507_41B4_9F5A60B503B2_mobile.text = frameS8 exhibition
Label_AEC6F178_847F_F4B3_41CB_C4F56724DB9C.text = to look around: swipe
Label_AD547EF7_8465_8DBD_41D9_484FABD9EA97.text = to move around: tap
### Multiline Text
HTMLText_A3B3C5DD_D4E1_D04D_41E7_000627C7CE77.html = fare clic e trascinare per guardarsi intorno
su un tablet o un dispositivo mobile, trascinare con il dito per guardarsi intorno
fare clic sugli hotspot presenti nello spazio per spostarsi
su un tablet o un dispositivo mobile, toccare gli hotspot per spostarsi
___
AbandonArtGallery
The AbandonArtGallery has set itself the mission of presenting abandoned places and at the same time showing works by emerging artists.
The interplay of past and present, of abandoned architecture and art, is what makes these virtual exhibitions so fascinating.
The AbandonArtGallery
offers artists and the public the opportunity to experience this extraordinary metamorphosis of art, fauna and urbanity in otherwise inaccessible places.
___
frameS8
The personal project “frameS8” is a photographic artwork the artist developed taking Super 8 films that he has collected over the years as their point of departure.
In the 1935 essay “The Work of Art in the Age of Its Reproducibility” Walter Benjamin wrote that in a film, close-ups and slow motion reveal things that would otherwise only be perceived in the subconscious. By revealing the optical unconscious, the philosopher compares close-ups and slow motion to psychoanalysis, through which we experience the drives and the unconscious.
Martin Bruckmanns’ series “frameS8” consists of just such isolated close-ups and individual frames, like slow motion, revealing the optical unconscious. Thousands of frames are combined to form a film, where the individual images are no longer perceptible as such; the individual motifs and images subordinate themselves to an overarching whole, and the plot dominates the motif. The individual frames impressively show what the viewers could only vaguely see in the film itself. The optical unconscious is first revealed by the process of selection.
In search of the unconsciously visible,
Martin Bruckmanns viewed countless films. In our digital present, this Super 8 material has an unmistakable charm. This is primarily due to the flattering appearance of the films, where everything appears softer and warmer than in a high-resolution video format.
The unmistakable look of the images remains. The discrete charm of Super 8 lies not just in the slightly unfocused and thus friendly images, but also in the melancholy inscribed in them. Martin Bruckmanns found this past age and the melancholy that inheres in it in his photographs, in their colors and haptic structures. From the endless series, he chooses a single frame, moving the scene beyond the moment into the view of the beholder, thus making the optical unconscious emotionally visible. In this way, he adds a microscopic trace of life to the fugacity of film.
Martin Bruckmanns’ analytic gaze on the hidden details in film, the choice of his powerful and yet sensitive motifs, and their subtle fusion, offers the viewer sufficient room for interpretation and reminiscences.
Artist
Martin Bruckmanns, 1969, has been taking photographs since the age of eight, when his parents bought him his first camera, a Kodak Instamatic. From that moment on he never puts down the camera, starts as a self-taught photographer and later also experiments in his own darkroom.
After high-school he went to Italy to further his studies at the IED in Turin where he graduated 1996 in Visual Communication.
He started to work for some advertising studios first as assistant later as a freelancer for more than two decades. Currently he focuses more on artistic and fine-art photography.
His works have been shown in international exhibitions and can be found in private collections in Germany, Italy and France.
___
AbandonArtGallery
The AbandonArtGallery has set itself the mission of presenting abandoned places and at the same time showing works by emerging artists.
The interplay of past and present, of abandoned architecture and art, is what makes these virtual exhibitions so fascinating.
The AbandonArtGallery offers artists and the public the opportunity to experience this extraordinary metamorphosis of art, fauna and urbanity in otherwise inaccessible places.
frameS8
The personal project “frameS8” is a photographic artwork the artist developed taking Super 8 films that he has collected over the years as their point of departure.
In the 1935 essay “The Work of Art in the Age of Its Reproducibility” Walter Benjamin wrote that in a film, close-ups and slow motion reveal things that would otherwise only be perceived in the subconscious. By revealing the optical unconscious, the philosopher compares close-ups and slow motion to psychoanalysis, through which we experience the drives and the unconscious.
Martin Bruckmanns’ series “frameS8” consists of just such isolated close-ups and individual frames, like slow motion, revealing the optical unconscious. Thousands of frames are combined to form a film, where the individual images are no longer perceptible as such; the individual motifs and images subordinate themselves to an overarching whole, and the plot dominates the motif. The individual frames impressively show what the viewers could only vaguely see in the film itself. The optical unconscious is first revealed by the process of selection.
In search of the unconsciously visible, Martin Bruckmanns viewed countless films. In our digital present, this Super 8 material has an unmistakable charm. This is primarily due to the flattering appearance of the films, where everything appears softer and warmer than in a high-resolution video format.
The unmistakable look of the images remains. The discrete charm of Super 8 lies not just in the slightly unfocused and thus friendly images, but also in the melancholy inscribed in them. Martin Bruckmanns found this past age and the melancholy that inheres in it in his photographs, in their colors and haptic structures. From the endless series, he chooses a single frame, moving the scene beyond the moment into the view of the beholder, thus making the optical unconscious emotionally visible. In this way, he adds a microscopic trace of life to the fugacity of film.
Martin Bruckmanns’ analytic gaze on the hidden details in film, the choice of his powerful and yet sensitive motifs, and their subtle fusion, offers the viewer sufficient room for interpretation and reminiscences.
Artist
Martin Bruckmanns, 1969, has been taking photographs since the age of eight, when his parents bought him his first camera, a Kodak Instamatic. From that moment on he never puts down the camera, starts as a self-taught photographer and later also experiments in his own darkroom.
After high-school he went to Italy to further his studies at the IED in Turin where he graduated 1996 in Visual Communication.
He started to work for some advertising studios first as assistant later as a freelancer for more than two decades. Currently he focuses more on artistic and fine-art photography.
His works have been shown in international exhibitions and can be found in private collections in Germany, Italy and France.